Roshelle and “L’origine del mondo”: emotional rebirth as a creative act

Not every comeback is really a comeback.Some are a reconstruction from zero.

With L’origine del mondo, Roshelle doesn’t pick up where she left off — she breaks the structure entirely. And from that rupture, a new creative space is born.

Released on February 6 via BMG, the single arrives after more than two years of silence and works as an act of origin rather than a return.

Rebirth is not gentle

“L’origine del mondo” builds itself layer by layer, growing in intensity until it reaches a vibrating climax, only to slowly strip everything away. What remains is essence.

Its circular structure mirrors an inner process: birth, explosion, reconstruction.

Roshelle frames this moment as a necessary fracture — the end of one emotional season to make room for another, fuller one. There is no indulgent melancholy here, only awareness.

The Big Bang of Mangiami pure

The song also functions as the conceptual core of Roshelle’s upcoming album Mangiami pure, set for release on March 27.

“L’origine del mondo” is both the opening and the closing of the record, suggesting that everything must eventually return to where it began.

The project’s artistic direction is curated by Tommaso Ottomano, whose vision translates into a clean, intentional aesthetic. Nothing is decorative. Everything has weight.

A different Roshelle

What emerges is not just a new sound, but a new stance.Roshelle no longer seeks validation or explanation. She chooses fullness, even when it’s uncomfortable.

“L’origine del mondo” doesn’t soothe.

It creates space.And from that space, a new chapter begins.