We are not a fragile generation. We are a compressed one.

Out today, Friday January 23, Come ti voglio marks GIIN’s return with a track that does not ask for space — it takes it. Released via Giungla Dischi under license with Artist First, the song moves between confession and obsession, flesh and need.

Sometimes I wonder if we’ve become collectors of shadows. We store thousands of masterpieces on our smartphones, screenshots of famous artworks we scroll past as quickly as a plate of pasta or a passing meme.

The Fall/Winter collection presented by Simon Cracker at Milan Fashion Week unfolds as a reflection on the present, between memory, rupture, and reconstruction.

In Beauty Veritas is not a project about beauty. It is a project against beauty as a social obligation.

They call us lazy, disengaged, unreliable. It’s a simple narrative — convenient, repeated often enough to sound true.

Kindness today is often framed as an individual virtue. But in a system built on speed, visibility, and competition, gentleness risks becoming invisible.

We have become image eaters. There’s no point denying it: we no longer look at the world — we ingest it. This is where our relationship with images reveals itself: intense, compulsive, hungry, yet increasingly incapable of listening.

We live with the anxiety of those who must save the world and the exhaustion of those who no longer can.

An analysis of contemporary fashion micro-aesthetics as a response to digital chaos, between subtraction, structure, and visual resistance.

Concert photos are not memories: they are evidence. They don’t say “I was there.” They prove that something actually happened.